Mostly forgotten today, author Abraham Merritt was writing for The All Story as early as 1918. His day job was working for Randolph Hearst. Merritt, as editor of Hearst's The All American Weekly, discovered, hired and championed illustrator Virgil Finley- who would collaborate with all the greats in sci-fi producing masterpieces of interior line-drawing illustrations and painting hundreds of covers for all the pulp mags..
Merritt's The Moon Pool was the first and most significant work of popular fantasy fiction to follow A Princess of Mars and Tarzan. Merritt was celebrated as a literary writer (unlike ERB) and his style broke the science/fantasy genre into acceptable venues. Interesting to note that today's readers bitch about Merritt's prose as being "old fashioned." Well, that's what A.D.D. induced from overexposure to cyperpunk sci-fi will do to you, kids. Anyway, The Metal Monster is one of the dozen or so wicked good stories Merritt would write over the years; cover shown is from 1920. The Metal Monster and all of Merritt's storys would be be re-packaged, re-painted and re-published for the pulp mags constantly for decades.
The Moon Pool, Merritt's break-through work, is where the Burroughs' Portal (that never-answered-by-ERB explanation of " just exactly how did John Carter get to Mars anyhow?") was taken by Merritt from Burroughs' vague conceptual whatchamathingee to a refined method of transporting characters to and fro across space, time and dimension .
Throughout his busy writing life, Merritt was a very popular and influential author and editor. He worked across the American literary spectrum and his Burn Witch Burn was made into a hit movie called The Devil Doll (directed by Tod Browning of Dracula fame , no less)

For lots more about this Merritt guy... watch this "space" in the future ~ and beyond.
posted by Tom Novak, who knows where the real Moon Pool is located, and where it will be next - but isn't telling.







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